We started trying to put back the original band, with Ross and Smith. I was on an ELP tour, and Carl Palmer was using a sequencer, so he had that happening. So it felt freeing at some level to be a free agent, in 98, cause the industry was really changing, and the Internet was becoming a big thing, and I thought, Gee, the futures kinda wide open. And then [laughs] then I just got this unbelievable freaky drive, which shows the neurosis of the singer-songwriter. No way could I tell them that they had just reached the first step and we had a lot more steps to go. Fine. Yeah. Do you think you'll have your own group again sometime? a story about the new lead singer of Journey. And I think that proving myself was something that went on for quite some time with the band members. Its been a love-hate thing. If wed had a crystal ball back then, we woulda wrote twelve of those. He's great at all of the percussion things. It's one of those political things, part of the business, and I really shouldn't complain because I've been on a lot of records that have been hits. But thats how the world judges you. And so everybody packed their stuff, went home, and Im hearing that were gonna be off for maybe a couple months, three months, six months, whateverbut it turned out to be close to eight to ten years. When you changed your sound, what was the thought process behind that? And I didnt want to stop either, by the way. I found that out with my 14" drum. Aynsley Dunbar biography (The Musicians' Olympus) In 1974 after having recorded twelve albums in two years Aynsley was acclaimed by the music industry as the world's leading session musician. We argued over every second of it at one point. Its been your band longer than it was ever Steves band. He has worked with some of the top names in rock, including Nils Lofgren, Eric Burdon, John Mayall, Frank Zappa, Ian Hunter, Lou Reed, Jefferson Starship, Jeff Beck, David Bowie, Whitesnake, Sammy Hagar, Michael Schenker, UFO, Flo & Eddie and Journey. I think he disliked Bowie so he was giving him a hard time, and me too. But when I went through Liverpool on a tour with Zappa in 1971, out of all the people I knew in Liverpool, he was the only one who actually turned up backstage to shake my hand and say how well I was playing. At times it was wonderful, but it had been a long time, together. Even if you get a loose tension rod, it will still keep the tone of the drum because it's so well cast that the rods on either side of the loose one will keep the head seated perfectly.
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